May 18th: A Celebration of “International Fascination of Plants Day”

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Flowering crabapple trees at Tower Hill Botanic Garden May 6, 2017.

Dipping into Twitter last week to check on the latest natural history news from around the world, I came upon an announcement of “The International Fascination of Plants Day” by the Linnean Society of London. The official date is May 18th, 2017, but events are scheduled throughout the year.

I decided to ask a few people what they would describe as the most fascinating quality of plant life. The first person immediately said photosynthesis, the process by which plants, using the green pigment chlorophyll, make food (carbohydrates) from carbon dioxide, water, and light, during which oxygen is produced. We breathe and eat courtesy of plants. This was a fast start.

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Gunnera leaf taken at Trebah Garden, Cornwall, UK.

The second person praised the way in which trees, shrubs, and understory plants layer their branches and leaves in a forest to catch flecks of sun. The aim to maximize light-capturing efficiency becomes so artful. Human beings receive untold benefits from wandering among the layers of leaves. In Japan it is called shinrin-yoku, forest bathing. Japan has 48 official Forest Therapy trails, and conducts studies to document specific aspects of wellness enhancement during walks. It is thought that even cognition improves after forest-bathing.

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Entrance to forest in Enfield, Ithaca, NY>

A third person thought a bit and then said “spring.” We talked some and came to the conclusion that plants are spring–their capacity for regenerative burgeoning, the leafing out, the opening of buds. This brings us to flowers, an “abominable mystery” to use Darwin’s phrasing. Would we have the word “bloom” without plants? Middle English adapted the word from the Old Norse “blómi” for flowers, which also came to mean prosperity. What would we do without the verb “to bloom” and the noun “blossom,” which when transferred to a person came to mean “a state of great loveliness.”

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A tulip blossom.

 

The fourth person I asked referred me to this clip, BBC Life: Plants. 6 month time lapse in one minute, narrated by David Attenborough. A group of us clustered around the family dinner table watching it on her cell phone in wonder.

I am fascinated that the organizers used the word “fascination” rather than a word like “importance” or “recognition.” It is the right word to describe the botanical bent of my life. It began at a young age when I explored the farm in Virginia where I was born. I am not sure why I bonded with plants. It was instinctive or became instinctive. We had no television, radio, or phone and no neighbors in sight. Perhaps I became biophilic. “Biophilia” is naturalist E. O. Wilson’s term (and title of a book by him), first introduced by psychologist Erich Fromm, for the idea that human beings have an innate tendency to affiliate with other species. He believes that these bonds affect mental development.

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E. O. Wilson’s book published by Harvard University Press in 1984.

Here in Ithaca, NY, on May 18th, organizers (Cornell Botanic Gardens, Cornell School of Integrative Plant Science, and Cornell Department of Natural Resources) are holding an inaugural forum for the new Biophilia:Ithaca Chapter, modeled on one begun in Pittsburgh.  The first featured speaker is local metalsmith artist Durand Van Doren. It will be held 5-7 pm in the BorgWarner Room of Tompkins County Public Library.

The goals of Biophilia:Ithaca can be found on the Cornell Botanic Gardens website. In summary, it is an effort to awaken, acknowledge, and encourage biophilia in people, a suitable tribute for the 2017 International Fascination of Plants Day.

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Emerging leaf and/or flower bud  from an amaryllis bulb.

The Small Stoneflies of Ludlowville Falls

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Ludlowville Falls January 2017 where stonefly nymphs live (Photo credit:  Charlotte Whalen).

We, two grandmothers, two mothers, and two toddlers, were walking in the snowy playground overlooking Ludlowville Falls on Salmon Creek in Lansing, NY last week. The falls had thawed from their frozen state of January (shown above) and spumed forth vigorously. The snow was crusty and the sun bright. As we moved closer to the edge of the overlook, we noticed tiny bugs dispersed evenly over the surface of the snow. It was hard not to step on them. Although minute, their dark grey-brown bodies were starkly visible against the snow.  They moved slightly. We were all intrigued, even the one-and-a-half year olds, and we wondered how they could stay “warm” on the snow.

I thought to myself that they looked familiar.  One of the stranger insects that I studied in Entomology at Cornell was the stonefly, a member of a genus called the Plecoptera. It is one of those aquatic insects, like the mayfly, that devotes its entire terrestrial existence to mating, barely or never eating. The last stonefly that I encountered was a rather large one that crashed a party of ladies drinking wine near a stream.  We decided that it was a “stoned” stonefly. Rarely flying even though they have prominent transparent wings,  they have a still and somber presence. The name derives from the Greek, meaning “braided wings.” They are sometimes called “snowflies.”

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Stonefly near Ludlowville Falls 17 Feb 2017 (Photo credit:  Charlotte Whalen).

I went home and googled “minute stoneflies in winter.” The first entry titled “Winter stoneflies sure are supercool” confirmed identification and answered questions about their lifestyle. Posted February 24, 2011, on the Scientific American website by Guest Blogger Holly Menninger, it describes the author’s visit to Taughannock Falls in Ithaca, NY, just a few miles from Ludlowville Falls, where she also encounters tiny stoneflies on snowy ground. She explains that winter stoneflies combine several strategies for avoiding internal freezing–through the phenomenon of supercooling and production of antifreeze compounds. Very small volumes of water, like a raindrop or cells in a stonefly, will remain liquid well below zero. The addition of antifreeze compounds in intercellular spaces prevents ice crystals forming and breaking into cells. Further, Menninger writes that “by walking about on the tips of their feet, the adult stoneflies avoid the hazards of external ice crystals potentially invading their bodies and inducing inoculative freezing.”

The presence of stoneflies is a good sign. Aquatic insects such as the stonefly have two life stages–the aquatic nymph, which may last for several years, and the terrestrial adult, which is very brief. Nymphs live in streams and require well-oxygenated water. Pollutants are known to deplete oxygen levels. So, the presence of the adults on snow indicates that nymphs prospered in pollution-free conditions. We marvel at the adults out so early in February, but how the nymphs survive in Salmon Creek near the frozen falls is even more astonishing. They find small pools of water insulated by ice. It all seems precarious. Thus, adults have just one goal–to mate. Females of some stonefly species can produce up to 1,000 eggs each. Winter stoneflies belong to the Capniidae family, which includes about 300 species.

I have been wanting to say a few complimentary things about winter. The stoneflies’ hardiness pushed me to take pen in hand. I profit from winter’s quietness, its testing of my own cold hardiness, and its artistry. Obliterating color and brush stroking every form, snowfalls  highlight architectural elements of garden plants and trees. Caps appear on the buds of the star magnolia. I see twigs that I have never noticed before. I see the structure of the long, feathery red spruce branches. Even an old rusty garden urn takes on an enhanced appearance and reveals visitors.

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Notice bird footprints on right corner of uppermost layer of pedestal. Primrose (Primula carniolica) in clay pot has nice snow cover.

Snow is fun.

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Snow offers new possibilities. (Photo credit:  Charlotte Whalen)

And a winter walk in the forest presents a minimalist landscape, a retreat from overstimulation.

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Enfield, New York.

About 10 days ago a huge flock of robins appeared in our neighborhood. They were animated, dashing back and forth from the sycamore to the tulip tree to the walnut to the honey locusts, never settling, chattering like magpies! A cheerful commotion for sure. That night it snowed, about 3-4 inches of light, crystalline flakes. There was artwork everywhere the next day. The robins, who had roosted overnight, seemed undaunted in the morning. Just as much chatter and commotion but they left by mid-afternoon. In Highland County the first snow after robins return is a called a robin snow. The implication of the folklore surrounding the name is that the robins bring the snow. There are several named snows in Appalachia. I experienced a robin snow on the way to Vinegar Hollow once. We had stopped at Seneca Rocks in West Virginia and became engulfed in a snowfall that was full of robins, hundreds of them. It was an exhilarating sight, one that could not be photographed. The grey wings of the robins appeared and disappeared, shuttling through the slanting snowfall at great speed.

Today, February 22, it’s 61 degrees F. Winter is elsewhere, but it will return, and I will keep looking for good signs.

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Rainbow at Ludlowville Falls in autumn 2016. (Photo credit: Matthew Slattery).

A New Year Begins in Vinegar Hollow

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Looking to the north end of Vinegar Hollow.

The long drive from Ithaca to Mustoe completed, we arrived just after dark on New Year’s Eve to a howling wind, snow-covered hills, and an icy terrace. By morning the melt was on, the ice turned to puddles and the snow just feathery patches. But there had been prolonged cold so, while the primrose that flowered last January 1st looked bright green, its buds remained tight. The melt brought mist and drizzle and for a few days we were in a fog bank.

Despite a few injuries, the old collapsed ankle, the new broken wrist, and the sudden onset of a stupefying upper respiratory virus, I took walks with my husband and Belle the dog.

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Looking to the south end of Vinegar Hollow.

Trees in winter tell such different stories than those of their summer selves. The old apple trees in the orchard that haven’t been pruned for decades reveal the thicket of watersprouts jutting vertically from almost every horizantal branch. Shoots that spring from the base of a tree are called suckers. They are an important source of regeneration. Arising from latent buds and the result of “weather and other damage” (old age?), watersprouts, on the other hand, make a mess of the interior life of a tree, blocking light and air flow, which in turn decrease the quality of fruit. I remember my mother telling me that the apple tree in the orchard was an old variety called the Northern Spy. I loved the name. Trees do make perfect spies. No one notices them. There are only six left now, each uniquely misshapen.

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Two old apple trees join branches, heavy with waterspouts.

Another walk takes us up Back Creek Mountain on one of the old logging roads. It’s misty. These woods were logged about 10 years ago. The giants are gone, and the slender trees that remain reach for the sky from the steep hillsides, a maze of toothpicks tilted slightly off vertical. Pale grey green lichens cover their trunks, a contrast to the deep green leaves of the mountain laurel thickets forming the understory. These are Appalachian colors, muted.

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Lichen-and-moss garden along logging road. British soldier lichens are red topped.

There have been other travelers on this road. We notice coyote scat, blunt at one end and pointed at the other, a pale grey brown that blends with the fallen leaves. The British soldiers do not blend in. They are bright and bold, in lime green uniforms and orange red helmets. This seems to be their season as they look fresh and new. Large patches, like miniature gardens, occur frequently along the sides of the trail. The mosses look prosperous also at this time of the year, their green rich and glowing.

We walk up to a large bend and then turn around, retracing our steps. I am thinking about how I love these woods, and that, though they do not have the diversity and flamboyance of a tropical rain forest, there are surprises, like the British soldiers, and undoubtedly there are very beautiful mosses, lichens, and liverworts that have never been named, when I hear a loud “Wow!” I race to catch up with my husband. He is staring at the ground. Even when almost upon him I do not see anything under his gaze. On bended knee, however, I come face to face with a strange life form. As we walk down the trail, we find more and more of them in various stages of development, all of which we had missed on the way up.

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Stage 1 of the yellow-stalked puffball.

The first stage looked like a very small yellow star-like flower flattened on the ground. Next a balloon-like orb appeared underneath the “flower” whose “petals” became a reddish collar around a “mouth” atop the balloon. Tapping the balloon produced a cloud of white dust.

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Stage 2 of yellow-stalked puffball: balloon (spore case) has “mushroomed.”

It was so bizarre that I couldn’t see it belonging to any of the five kingdoms of living organisms. But it had to be a mushroom, perhaps related to an earthstar. An Alice-in-Wonderland Google search through the world of bizarre mushrooms led to dead ends until I stumbled on the phrase “stalked puffball,” and then I found it—the yellow-stalked puffball, Calostoma lutescens. It is also called the lattice puffball, apparently for the mesh-like consistency of the stalk.

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Stage 3 of yellow-stalked puffball: net-like, fibrous stalk elevates “balloon” for spore dispersal.

Michael Kuo of MushroomExpert.com writes that

This distinctive, funky fungus is fairly common in the southern Appalachians, but has been reported from Arkansas to Massachusetts. It looks like a little yellow globe with puckered red lips, sporting a tattered collar, held aloft by an odd pedestal of half-digested pasta. It’s hard to imagine mistaking Calostoma lutescens for anything else.

My Internet search reminded me of Project Noah. It is a site where ordinary people, or citizen scientists, can upload photos for sharing and identification. Someone posted a photo of the yellow-stalked puffball found in North Carolina about a year ago.

For some reason I have always felt the role of reporter or recorder of the hollow’s news, whether about a puffball or water-sprouted old apple trees, as my calling. Why? Why do some people have certain inclinations that seem necessary, like a cosmic job, despite how difficult to honor along with all one’s other responsibilities?

These first few days of January, while thinking determinedly about the yellow-stalked puffball, I read obituaries of John Berger (b. November 5, 1926; d. January 2, 2017), the English writer who spent 43 years living in a small village in the Haute Savoie of the French Alps, in part to chronicle the peasant way of life (he preferred the word peasant to describe the rural worker). In an essay for The Guardian in 2014, he wrote:

What has prompted me to write over the years is the hunch that something needs to be told, and that if I don’t try to tell it, it risks not being told. I picture myself as a stop-gap man rather than a consequential, professional writer.

I take heart from that. One can be a stop-gap writer of or for almost anything. Most would say that Berger was a pretty high-level, stop-gap writer. I think he would affirm that it is ok to be a low-level, stop-gap writer like me. He also said, even when nearing 90, that writing never got any easier for him, though drawing did.

Berger had been an influential art critic, author of Ways of Seeing, but from Quincy in the Haute Savoie, he wrote about the people and their down-to-earth work, making hay, shepherding, and the like. In his essay about the yearly cleaning of his outhouse, “Muck and its Entanglements: Cleaning the Outhouse,” he describes a local schoolroom story of a conversation between a cowpat and a fallen apple. The fallen apple is too pristine to speak to the friendly cowpat. This is his point of departure for seeking meaning in “shit” and the nature of cows:

Perhaps the insouciance with which cows shit is part of their peacefulness, part of the patience that allows them to be thought of in certain cultures as sacred.

Berger also made the observation that cows walk as if on high heels. Their hooves do seem extremely dainty for their ponderous bodies, and I have often wondered that they don’t just topple over on the steep hillsides of Vinegar Hollow. I blame the breeders for their ungainly, top heavy bodies.

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They are waiting.

Every time I am here I do some cow watching. Mike, owner of the cows, comes up twice a day with giant hay bales skewered onto the front and back of his John Deere tractor, which he spreads in different parts of the farm, leaving swirling, Celtic patterns, figure-eights of uneaten hay all over the farm.

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The cows may seem to vaguely follow his whereabouts, but their attention is not vague. They came up the road more or less single file and stop on the part of the road between the barn and the granary. They stop moving and stand still as statues, no flick of a tail or turning of a head, noses to the north, tails to the south, single file (they are chewing however, as I can make out a rhythmic movement of their jaws), not moving for up to an hour or until they hear a vehicle and then they bound towards the sound, practically scampering. It’s comical, though, if they are in error (if it’s not Mike with their hay bales) because they return to their positions on the road, single file, and wait, chewing, as if they have not been caught dancing about on their high heels to watch the approach of the bales.

It is good for me to start the new year by fitting into the rhythms of Vinegar Hollow. Too soon it will be time to go. I have ordered Pig Earth, the first  book in John Berger’s trilogy (Into their Labours) about working with the fiercely independent people who farm the French Alps, in order to understand the rhythms in places where people have worked the land for centuries.

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Looking south, through the branches of a young black cherry, on the day of departure.

P.S. Pictures of the puffball were taken by my husband David Fernandez.

The uncertainty of winter: the primrose and the hellebore

The view to Stark's Ridge.

The view to Stark’s Ridge, where Lawson’s Knob overlooks Vinegar Hollow, Highland County, Virginia.

 

January 1, 2016

Apparently it is a fact that Monet thought the Christmas rose (hellebore, also known as Lenten rose; Helleborus sp.) and the primrose, Primula sp., belong together. See New York Botanic Garden’s “Monet’s Garden: Creation, Facts & Secrets.”  Monet was right, of course, because  he is reported to have said “I cannot live without flowers.” So, he surrounded himself with flowers– in order to survive.

I agree, though I have never been able to have a grand garden like Monet’s, but even a few flowers here and there are enough. Groundhogs in Virginia eat my snakeroot; beloved dogs in Ithaca sit on my primroses, though that has failed to kill them. So be it. My policy is share. No violence.  Right now I am looking at one hellebore and one primrose, and I am glad that I’ve gotten the pairing right according to Monet.

 

The primrose and the hellebore.

The primrose and the hellebore.

 

I am here again in Vinegar Hollow where Angus cattle, their black bodies and white faces are silhouetted against the copen-blue sky behind the Peach Tree Hill, three bluejays are splashing in the gutter, flocks of juncoes swirl over the sinkhole, and I see the unexpected shades of pink and rose in the garden. Unexpected for the first of January.

The primrose in the noon sun.

The primrose in the noon sun on January 1, 2016. This is a polyanthus, a hybrid primrose. Notice the circle of anthers resting in a golden yellow cup slightly raised above the petals at the center of the flower. This is called the rose-crown or the rose-eye. When this occurs in a thrum-eyed flower (anthers visible, stigma invisible), one has “the last word in Polyanthus elegance” according to Florence Bellis, renowned primrose breeder (APS, 1943, p. 35).

 

It has been unusually warm here in western Virginia as in most of northeastern North America. Last year when here in the hollow I reported about reading Antarctic explorers and braving a blizzard to experience the chill. It is has been spring-like here for a month. I am not surprised the hellebore is budding and even opening flowers. Every year it pops up in snow in the coldest of temperatures here in the hollow. The plant now has between 50 and 100 buds. If winter comes now, when all these buds, so delicately striated pink and white, are ready to open, what will happen? It will survive. Hellebores are tough.

 

Buds and foliage of the hellebore.

Buds and foliage of the hellebore.

 

 

The flower of the hellebore.

The one flower of the hellebore open in Mustoe today.

 

The primula will survive also, though its more delicate greenery will get glassy, frozen looking if very low temperatures come. But it will survive. Primroses are tough.

I think again (see previous blog called “Snow as Metaphor:  Revealing and Concealing”) of the very old 15th century Christmas carol “Es ist ein ros entsprungen.” Its centerpiece is a rose that blooms in winter. At that time “ros” or “rosa” was a generic term for flower. Although of metaphorical import here, it is important to remember that a literal flower is at the root of the metaphor. Some think that the song’s rose is a hellebore. But it could have been a primrose. “Roses” of all sorts do bloom in winter. A version that I like is sung by the Ensemble Amarcord. Or this one using the words of Praetorius. There are various translations of the original German. Here is one:

Lo, how a Rose e’er blooming from tender stem hath sprung!
Of Jesse’s lineage coming, as men of old have sung.
It came, a floweret bright, amid the cold of winter,
When half spent was the night.

Isaiah ’twas foretold it, the Rose I have in mind;
With Mary we behold it, the virgin mother kind.
To show God’s love aright, she bore to men a Savior,
When half spent was the night.

The shepherds heard the story proclaimed by angels bright,
How Christ, the Lord of glory was born on earth this night.
To Bethlehem they sped and in the manger found Him,
As angel heralds said.

This Flower, whose fragrance tender with sweetness fills the air,
Dispels with glorious splendor the darkness everywhere;
True Man, yet very God, from sin and death He saves us,
And lightens every load.

O Savior, Child of Mary, who felt our human woe,
O Savior, King of glory, who dost our weakness know;
Bring us at length we pray, to the bright courts of Heaven,
And to the endless day!

The primrose on January 3, 2016.

The primrose on January 3, 2016.

In an interview the poet James Wright quoted from memory a passage from a letter that Tolstoy wrote to a pacifist group, where he talks about spring (in relation to religion). He writes:

I can only go back to myself. I look around myself and I see every year that, no matter what people do to themselves and to one another, the spring constantly renews itself. This is a physical fact, not a metaphysical theory. I look at every spring and I respond to it very strongly. But I also notice that every year the spring is the same new spring and every year I am one year older. I have to ask the question: what is the relation between my brief and tragic life and this force in the universe that perpetually renews itself? I further believe that every human being asks this question.

We can’t have spring without winter.

 

January 4, 2016

 

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Winter arrives in Vinegar Hollow with a dusting of snow.

Winter arrived with a dusting of snow, and tonight it will go to 13 degrees F. This feels right. I will cover the primrose tonight just to ease it into this sudden drop from 40-50 ish degree F weather to the teens.

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Snow continues its dusting throughout the day. Black locust in the center and old apple trees to the right are still.

 

January 5, 2016

Second morning at 4 degrees F. Three blue jays are back with a flock of juncoes. They have  spread themselves all over the lawn in the morning sun and eagerly peck the ground, perhaps finding seeds of the red spruce and the beech? There was a howling wind the night before that might have dislodged seeds. But this is just a guess. I have no idea what they are so excited about. They are tapping at the ground. The three blue jays retreat to the gutter occasionally to splash. It is hard to describe the beauty of the translucent white fan that the ends of their feathers make as they alight and depart. There is more white to the blue jay than one realizes. The primrose has shrunken within itself, the vigorous green departed, the vivid rosy pink now a troubled purple. There were no pollinators for it, but a primrose lover has seen a “ros” in winter.

p.s. The hellebore is a really extraordinary variety called Helleborus x ballardiae ‘HGC’ ‘Pink Frost.’ I lose my plant labels, or maybe I can blame it on the dogs, but this label I saved in my writing desk. It certainly can handle the ultra cold.

 

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Autumn: “the small gnats mourn”

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“Sunlight and Shadow” by Martin Johnson Heade (American 1819-1904, National Gallery, Washington, D. C.). The artist depicts “the tides, meteorological phenomena, and other natural forces that shaped the appearance of the swamp and showed how the land was used for hunting, fishing, and the harvesting of naturally occurring salt hay” (quote from National Gallery description). The apple tree is full of fruit  and the haystack  half in sun and half in shadow. I saw this painting a few weeks ago at the National Gallery and felt it captured the warmth of the harvest season portrayed in Keats’ ‘To Autumn.’ (This photograph is courtesy of wiki commons. My photograph cut off the apple tree.)

Autumn: it’s time again to walk the long good-bye among the fallen leaves and the last flowers of summer and think about Keats’ ‘Ode to Autumn,’ a poem I cannot forget. For a number of years on an especially fine October day I would take my Writing as a Naturalist class at Ithaca College outside. We would read Keats’ poem aloud together and then I would ask them to choose their favorite line. Though many students of the 21st century seem to be occasionally more interested in science fiction and epic fantasy, they responded wholeheartedly to this classic Romantic poem. It never failed to awaken their notice and appreciation of the day and the season. Every line had a champion.

To Autumn

Season of mists and mellow fruitfulness,

Close bosom-friend of the maturing sun;

Conspiring with him how to load and bless

With fruit the vines that round the thatch-eaves run;

To bend with apples the moss’d cottage-trees,

And fill all fruit with ripeness to the core;

To swell the gourd, and plump the hazel shells

With a sweet kernel; to set budding more,

And still more, later flowers for the bees,

Until they think warm days will never cease,

For Summer has o’er-brimm’d their clammy cells.

Who hath not seen thee oft amid thy store?

Sometimes whoever seeks abroad may find

Thee sitting careless on a granary floor,

Thy hair soft-lifted by the winnowing wind;

Or on a half-reap’d furrow sound asleep,

Drows’d with the fume of poppies, while thy hook

Spares the next swath and all its twinéd flowers:

And sometimes like a gleaner thou dost keep

Steady thy laden head across a brook;

Or by a cyder-press, with patient look,

Thou watchest the last oozings hours by hours.

Where are the songs of Spring? Ay, where are they?

Think not of them, thou hast thy music too,—

While barréd clouds bloom the soft-dying day,

And touch the stubble-plains with rosy hue;

Then in a wailful choir the small gnats mourn

Among the river sallows, borne aloft

Or sinking as the light wind lives or dies;

And full-grown lambs loud bleat from hilly bourn;

Hedge-crickets sing; and now with treble soft

The red-breast whistles from a garden-croft;

And gathering swallows twitter in the skies.

Keats’ “Autumn” has been called by some the most perfect poem in the English language, and many readers and critics have observed that it is a celebration of our ecosystem and interconnectedness. Which is perhaps the reason for its perfection, in that its many references to nonhuman species awaken a remembrance of how our own biology connects us to all the fruits and birds and insects and weather of the Earth. We feel nourished after reading the poem, more aware of the blessings of harvest. Keats composed the poem, in 1819, two years before his death. Scholar Jonathan Bate writes in his essay “The Ode ‘To Autumn’ as Ecosystem” that when doctors in Rome opened up his body after death “they thought it was the worst possible Consumption—the lungs were intirely destroyed—the cells were quite gone’” (p. 258 in The Green Studies Reader: From Romanticism to Ecocriticism). Keats died when he was 26.

My copy of Keats' Letters.

My copy of Keats’ Letters.

Bates quotes from one of Keats’ famous letters about a walk he took in 1819:

How beautiful the season is now—How fine the air. A temperate sharpness about it. Really, without joking, chaste weather—Dian skies—I never lik’d stubble fields so much as now—Aye better than the chilly green of the spring. Somehow a stubble plain looks warm—in the same way that some pictures look warm—that struck me so much in my sunday’s walk that I composed upon it. (p. 258)

Bates says that “To Autumn” is a weather poem, as were many other major Romantic poems.  Weather has always influenced our moods and especially now, in this time of climate change, our sense of the fragility of life. Keats in his letter talks about the stubble appearing warm to him, and in the poem he shows it turning rosy in the setting sun. Bates writes:

… the poem itself is an image of ecological wholeness which may grant to the attentive and receptive reader a sense of being-at-home-in-the-world….the movement through the poem…is not one which divides the culture from the nature. There is no sense of river, hill, and sky as the opposite of house and garden. Rather, what Keats seems to be saying is that to achieve being-at-home-in-the-world you have to begin from your own dwelling-place. Think globally, act locally….

Bates sees the “thee” in the poem as thoroughly female, and I have always imagined the person with “soft-lifted hair” as a woman, though much older than Winslow Homer’s “Autumn,” but perhaps with red hair as well, while Carol Rumens in her rumination on the poem, which she writes is “marked by sensuous profusion and artistic control,” sees a male Dionysian figure  becoming at some points androgynous. The students always end our Keats’ Autumn class talking about how they love Ithaca’s Apple Festival and drinking cider and eating apple cider donuts, where they connect with farmers and growers and craftspeople, many distant from academic circles the rest of the year, through the sharing of harvest.

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Winslow Homer’s “Autumn” seen at the National Gallery in Washington, D.C. a few weeks ago.

I also walk in autumn, saying a  good-bye to the ecosystem before its winter’s nap. Devoid of the kind of “artistic control” that Keats possessed,  I wish to include here all that I see.

Wild apples:

Wild apple (Enfield, Ithaca, NY).

Wild apple (Enfield, Ithaca, NY). So delicious!

Autumn crocus, always a surprise when it pops up unexpectedly because you forget that its leaves were ever there in the spring:

Autumn crocus arising out of myrtle. The large (some call them ungainly) leaves of the autumn crocus (Colchicum autumnal) appear in the spring. After the leaves have died down, the flowers appear in the fall.

Autumn crocus and myrtle. The large (some call them ungainly) leaves of the autumn crocus (Colchicum autumnale) appear in the spring. After the leaves have died down, and much later  the flowers appear in the fall.

Beechdrops:

Beechdrop arising out of leaf litter.

Beechdrop (a parasitic plant, Epifagus virginiana) arising out of leaf litter. It carpets the forest floor at this time of year in Enfield, NY.

Looking down at the whorled form of a beech drop, showing the reddish purple flower.

A view looking down at the whorled form of a beechdrop, showing the reddish purple flower. The beechdrop lacks chlorophyll and so must gain its sustenance from the roots of beech trees.

Delicate grasses:

The grace of grasses.

The grace of grasses.

Dewdrops find the fine hairs of these soft grasses.

Dewdrops find the fine hairs of these soft grasses.

Dewdrops and fall-flowering grass.

Dewdrops and fall-flowering grass.

Some plants only become exuberant in fall, like the bur cucumber:

Bur cucumber: flowers, fruit, and tendrils.

Bur cucumber: flowers, fruit, and tendrils.

Where is the bird now who nested here in the spring?

The nests are empty.

An empty nest dangles in my path.

As Keats’ suggests, the bees have their own harvesting to do:

Apple and bees.

Apple and bees or are they wasps that look like bees? I must consult my cousin for an identification.

I have my own “later flowers for the bees” —Helianthus ‘Lemon Queen’:

Helianthus (perennial sunflower) and butterfly.

Helianthus (perennial sunflower) and butterfly.

The autumn day portrayed in Keats’ poem is gracious and benevolent, but we know there are also days of cool mists and grey skies and shriveled plants. Yet, they are beautiful too:

Horse browsing in Keats'

Horse browsing in Keats’ “mellow mists” (Enfield, NY).

The only descriptive word Keats repeats in the poem is “soft” as in “thy hair soft-lifted” and “soft-dying day.” He’s right. When the sun shines, autumn days are so soft, because some mists are warm.

My favorite line is “Then in a wailful choir the small gnats mourn.” It’s a line that is both romantic and unromantic. I find it moving that Keats gives the burden and honor of mourning, the short good-bye because gnats do not live very long, to the insignificant gnat.

Every day that I walk I find new autumn stories. The hedgerows of my husband’s tree nursery are blessed with hickories–particularly shagbark hickories. The nuts cause my feet to bobble. Soon I pick up the offending spheres, sniff them, and put them in my pocket for further aromatherapy. Sometimes I see an ecosystem story, like this one about the hickories and ants.

Shagbark hickory awaiting an herbivore.

A shagbark hickory awaiting an herbivore caught my attention.

Ants investigate the inside of a hickory shell.

Ants investigate the inside of a hickory shell.

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Ants in close contact as they explore the inside of the shell.

Ants in close contact as they explore the inside of the shell.

I am sure this is a story that E. O. Wilson, the great ant biologist, could decipher, or perhaps Darwin had notes on such an interaction because he observed almost everything. It seems that Autumn is a time when members of an Ecosystem exhibit their last behaviors of interconnectedness before the Big Rest.

Goldenrod and woodpile.

The golden and the grey: goldenrod ornamenting woodpile constructed by busy human.

The rural life: Vinegar Hollow in June

Cows eating their way to Starks Ridge.

Cows eating their way to Starks Ridge in the cool of early morning.

I arrive back in Vinegar Hollow to experience  a week of June in Highland County, Virginia, at the farm that my parents bought in 1948. Things seem tranquil on the first morning as the cows move slowly across the hills chomping at the new grass, but soon enough a news story develops.

Four incarcerated cows and a cat on a fence post.

Early morning: four incarcerated cows and a cat on a fence post.

When Mike came to feed the barn cats the next morning, he noticed ear tags that didn’t match those of his herd. Two cows and two calves, not necessarily belonging to each other, which is problematic for all concerned, had strayed through an open gate from a neighboring property the day before, setting off quite a kerfuffle in the home herd. There was a tremendous bellowing by the trough all day as the cattle tried to figure out who belonged where. In the evening the owners rounded up the strays  but couldn’t get them back over the Peach Tree Hill before dark so they spent the night cooped up, like chickens you might say, which did not agree with them. They had plenty of water in the trough, but the grasses on the other side of the fence smelled so sweet. Their longing for freedom intensified over night and they stared at me intently as I strolled with my morning coffee, hoping I was the one who would free them. I told them Corey and Miranda would come soon.

I remembered the time my sister and I slept overnight outside in our sandbox, which had been converted into a tent. We woke up in the early morning when the large head of a large deer poked through the blanket over the sandbox, sniffing, nuzzling, and terrifying us. It turned out be to a pet deer that had escaped its owner. This is what I mean by news stories on a farm.

Nearby I watch the daily progress of the wild cucumber creeping out of the gone-wild calf nursery. This enclosure, my mother’s old vegetable garden, has metal hoops that are covered in winter with canvas to protect newborn calves that have been booted out of the barn to make way for new arrivals–in the too-cold of their birthing season.

Wild cucumber vine creeping over the wall, tendril by tendril.

Wild cucumber vine creeping over the wall, tendril by tendril.

It's over the wall!

It’s over the wall!

Still drinking my coffee, I watch the blue-black butterfly that comes jogging around the house every morning and afternoon visiting the same patch of scat, which has been rained on so often that it must seem fresh.  This is probably the black swallowtail mimic that has no tails, the Red-spotted Purple (Limenitis arthemis astyanax).

Red-spotted Purple on scat in garden lawn.

Red-spotted Purple on scat in garden lawn.

This individual has come to seem like my personal friend. I have chased around after it and found that its behavior fits that described for this species–it enjoys scat, gravel roads, and roadsides.

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The butterfly has made its way to our gravel driveway. Photographing butterflies is frustrating for the amateur. This is not sharp, but finally I see the “red” spots at the extremities of the upper wings. I didn’t notice them at all while observing the constantly moving “flutterby.”

Underside of the Red-Spotted Purple found by the side of the road by the apple orchard in Vinegar Hollow.

Underside of the Red-Spotted Purple found by the side of the road near the apple orchard in Vinegar Hollow. It was killed, mostly likely, by my car or Mike’s as very few others travel this road. Soon I started noticing dead Red-spotted Purples on Route 220 north and south to Monterey. Their penchant for frequenting gravel and roads is not healthy.

The Red-spotted Purple has found fame in the hands of writer May Swenson, author of the poem “Unconscious Came a Beauty” written  in the shape of the butterfly that alighted on her wrist while she was writing one day. It is a delicate poem full of stillness until the last line, “And then I moved.” She was fortunate to have this experience, and we are fortunate to have her poem. The hollow seems to be full of Red-spotted Purples this year, and there is much to learn about them. There are good observers out there, like Todd Stout, who offers a youtube video on identifying the hibernacula of this species. A hibernaculum is the overwintering curled-leaf-like home of the caterpillar, beautifully camouflaged to avoid notice. It is hard for me to imagine that I can ever learn to spot a hibernaculum, but I do know black cherry trees, a preferred host, so that’s a start.

The viper's bugloss (Echium vulgare), a member of the forget-me-not family.

The viper’s bugloss (Echium vulgare), a member of the forget-me-not family.

I am happy to find viper’s bugloss, my mother’s favorite wildflower, abundant along the cliff road, nestled against the limestone outcroppings, as impressionistic a combination of pink and blue as one can imagine. The pollen is blue, while the stamens are red. Margaret McKenny and Roger Tory Peterson in A Field Guide to Wildflowers: Northeastern and North-central North America describe it as “bristly.” Yes, it’s the right word. The flowers may look a little fluffy, due to their exserted stamens, but the plant rebuffs touching. It is definitely a porcupine in flowery dress.  “Bugloss” derives from two Greek words meaning head of a cow and tongue, the import of that being that the leaves are as coarse as a cow’s tongue.

Close-up of viper's bugloss, also known as blueweed, showing exserted stamens.

Close-up of viper’s bugloss, also known as blueweed, showing exserted pink stamens with slate-blue pollen .

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Close-up showing bristly nature of the plant.

My mother had a passionate attachment to viper’s bugloss, tucking little sprays of it into vases in her kitchen whenever she could. Maybe it was the blueness that attracted her, because she loved the indigo bunting and the bluebird as well, but I suspect she also sympathized with its bristlyness.

It rains every day, which brings the red eft out of hiding. Once years ago as a child I found one that had been stepped on by me or one of my family members near the garden gate as we arrived for the summer, one of its feet flattened, looking so childlike that I felt like crying. I watched this one undulate noiselessly to safety.

The red eft stage of the eastern newt.

The red eft stage of the eastern newt (Notophthalmus viridescens).

June is hay-making season, and the air in Vinegar Hollow is sweet with the scent of flowering grasses, native and nonnative.  I remember helping to make hay stacks in the Big Meadow in the old days when a pitchfork was the preferred tool. Then rectangular bales came along, which were easy to lift, though prickly, but with the advent of  the huge round bales of today the farmer needs sophisticated machinery to make and maneuver them into storage. Now I just walk among the grasses on the hills, admiring the delicacy of the myriad grass “florets,” trying to remember what I learned in Agrostology, the study of grasses, as a graduate student in botany at the University of Texas at Austin. I loved the course, but we worked almost entirely with herbarium specimens which took some of the romance out of the enterprise. A floret is a little floral package, which includes a very small flower lacking petals and sepals, but surrounded by two protective scales, the lemma and the palea. Much in the study of agrostology depends on the lemma and the palea. And the awn. The specialized vocabulary needed to described the intricacy of grasses is remarkable.

While each floret may seem too modest to admire, many florets grouped together make stunning inflorescences. Grasses in flower argue for a special kind of beauty. Their feathery stigmas and dangling anthers float and shiver in the breezes, and entire hillsides seem to shift when wind moves through the knee-high grasses.

This week I fell in love, again, with a grass I know by sight but whose name I had never learned.  It’s downy, pinkish-purplish above and bluish-greenish lower down. Let’s call it the Mystery Grass.

My mystery grass, which turned out to be Nuttall's reed grass (Calamagrostis ....).

Mystery Grass. Mike said that he’s always called it feather grass and that it’s one our native grasses.

Helen Macdonald, author of H is for Hawk, in her recent “On Nature” column for the New York Times, titled “Identification, Please,” writes that

There’s an immense intellectual pleasure involved in making identifications, and every time you learn to recognize a new species of animal or plant, the natural world becomes a more complicated and remarkable place, pulling intricate variety out of a background blur of nameless gray and green.

She’s right.

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A “blur of nameless” grasses flowering in June in Vinegar Hollow.

I decided to try to name  the sweet-smelling, soft feather grass. I have spent almost a lifetime identifying plants in Vinegar Hollow using Virginia McKenny and Roger Tory Peterson’s field guide, but they don’t include grasses in their book, though grasses are wildflowers. My father taught me the easy forage grasses, like timothy and orchard grass, so distinctive that they can’t be mistaken for anything else, but I don’t remember him naming the mystery grass.

Mystery Grass. Inflorescences open as they mature, spreading out their pollen to the wind.

Mystery Grass. Inflorescences open as they mature, allowing anthers to dangle, offering pollen to the wind.

Mystery Grass, showing the purple tips of the inflorescence.

Mystery Grass, showing the purple tips of the inflorescences and a few anthers just peaking out of florets.

Lacking a field guide, I set off into the vast world of the Internet, which after three or hours yielded an answer through a combination of sources: Nuttall’s Reedgrass or Calamagrostis coarctata (synonym Calamagrostis cinnoides). Reader: if my identification is incorrect, please let me know. If I’m right, I’d like to know that also. I never found the perfect source with a clear photograph.

Grasses are hard to get to know, especially as they change through the growing season, similar to birds whose juvenile feathers have different colors and patterns than the adult ones. My “feather grass” will look different at the  end of the season, when the seed has ripened. The soft purple will have turned to a whispery tan, and the shape of the inflorescence will change as well. During my search, as I tried to differentiate the “feather grass” from the other grasses common in Virginia, I collected other grasses for comparison. Falling back upon my training in agrostology, I made a multi-species herbarium sheet to reveal the unique morphologies of the inflorescences that in the field “blur” together so beautifully.

Grasses found in Vinegar Hollow, June, 2015.

Grasses found in Vinegar Hollow, June, 2015.

I have  other story lines here in the hollow to move forward as well. Two eminent trees, a sugar maple and a black oak, have dominated the farmyard at the end of the hollow for three generations or more. The black oak is all but dead. My father hired someone to put a lightning rod on the oak years ago, but age has overtaken it and limbs are falling steadily. Only a few slender branches have any leaves, and they are small. The granary nearby, full of valuable farm machinery, is at risk. Roy, who has lived in the hollow 91 years, says that it was in its prime when he was young. It is the kind of tree that people stand under and say, if only this tree could talk, the stories it could tell. In high school I wrote a poem for our literary magazine about the trees, which I always thought of as parental, the sugar maple like my mother and the black oak like my father. I had hoped to predecease them, but it has fallen upon me to take action. I met with the tree service this week to make the appointment for removing the oak. As I confronted my depressing role as executioner, I thought of W. S. Merwin’s remarkable piece of writing called “Unchopping a Tree.” No one should take down a tree with a light conscience.

There is good news, however. My husband and I have been protecting two seedlings of this oak in the yard under the electric pole. They must be transplanted this fall before they are too big to move and before the electric company decides to eliminate them. We are going to transplant both and hope that one at least lives for the next 300 years.

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Granary and black oak.

Black oak seedling.

Black oak seedling.

The last news story is that the light on the pole lamp went out. Set on top of a tall telephone-type pole, it casts a broad illumination. My mother put it up years ago. She lived at the farm alone for many years and it must have given her a welcome sense of company, and, it would have lighted her chores at night. I never liked it because in the evening it attracted luna moths that would then cling to the pole, quiescent, during the day even as birds pecked them to shreds, and it casts too much light for sleepers who like a darkened room. I wasn’t prepared for the utter darkness that night when the pole light didn’t go on. I had come to the hollow with the dog and the cat, but without the husband, children, or grandchildren.  The stars and the moon can be very bright at the end of the hollow, but there are no lights from any other sources. My nearest neighbor, Roy, is over several folds of the creased hills that make up Vinegar Hollow. On this still, overcast night, there was complete darkness without and within, when I had turned off the house lights. Paul Bogard, in his book The End of Night:  Searching for Darkness in an Age of Artificial Light, talks about how light pollution affects our relationship with the natural world. Lying in bed, surrounded by complete and utter darkness, I felt a little uneasy, but settled into it, perhaps like a Red-spotted Purple caterpillar in a hibernaculum. I let the darkness take on a natural presence around me.

Then I started thinking about the new stories of this week in June. The cows and calves, the red eft, Nuttall’s Reedgrass, the viper’s bugloss, the black oak, the tendrils exploring  the hereafter, and so on. I also remembered one of my favorite reflections about the rural life, made by Verlyn Klinkenborg in his Farewell column for the New York Times’ editorial page:

I am more human for all the animals I’ve lived with since I moved to this farm. Here, I’ve learned almost everything I know about the kinship of all life. The only crops on this farm have been thoughts and feelings and perceptions, which I know you’re raising on your farm, too. Some are annual, some perennial and some are invasive — no question about it.

But perhaps the most important thing I learned here, on these rocky, tree-bound acres, was to look up from my work in the sure knowledge that there was always something worth noticing and that there were nearly always words to suit it.

Klinkenborg kept faith with his column on rural life for 16 years. “Nearly always,” he says, there are words that suit. I pause over the “nearly always.”  The work of finding suitable words keeps pulling me forward.

h-ronk…hrink…h-ronk…hrih: Canada Geese and the Art of Nocturnal Conversation

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Dawn at the shore of Cayuga Lake, at Aurora, New York,  thick with little ice floes, where Canada geese “sleep” at night. These were the conditions during much of January, February, and March 2015.

 

I never thought I would be moved to write about Canada geese, though naturalists are supposed to be interested in everything, and I am, but I have, unfortunately, shared many people’s misperceptions that these large, melon-shaped, waddling birds have more obnoxious qualities than pleasant ones. They can’t sing, and they take over lake shores leaving copious droppings. This is all wrong headed. They can’t sing, but they can talk in an interesting fashion, and their droppings are very “clean,” really just grass pellets.

Since Thanksgiving my husband and I have slept a dozen or so nights in Aurora, New York, just 250 yards from the shores of Cayuga Lake, one of the beautiful Finger Lakes in upstate New York. Each night the noisy conversations of the geese on the lake have made sleeping through the night  impossible.  As the woman at the coffee shop said, “It is a great cacophony.” One dozes, rolls over, opens an ear. Yes, they are still squawking at top volume…throughout the night. My question is, what are they talking about? Like most people I love the sound of the melancholy honks of migrating geese and the sight of their strong pinions flapping rhythmically like oars in the sky. But these geese are neither migrating nor mating. They are temporary residents of Aurora all winter, feeding in the cornfields nearby by day and chatting near the shore of the lake by night. Soon they will go north to breeding grounds that they return to year after year, I fantasize perhaps even to Teshekpuk Lake in Alaska.

I asked my husband what he thought the subject of their extensive conversations might be. His answer was quick. “It’s bedroom talk,” he said. “But it’s not mating season yet,” I said.

Pattern of ice breaking up on Cayuga Lake south of Aurora near Ithaca.

Ice breaking up on Cayuga Lake south of Aurora near Ithaca creates a beautiful pattern.

I would probably not have become obsessed with finding an answer if not for a recent reading of What the Robin Knows by Jon Young. Young, mentored by tracker Tom Brown in the Pine Barrens of New Jersey, has become a leading authority on bird communication.

Valuable book for bird watchers.

Valuable book for bird watchers.

He writes, “Observers of bird language listen to, identify, and interpret five vocalizations: songs, companion calls, territorial aggression (often male to male), adolescent begging, and alarms.” His thesis is that songbirds have a number of specific vocalizations and if we humans pay attention we will know more about the world going on around them/us, the point being that them/us are One.

Rafts of snow geese on shore by Aurora. The snow geese do not mingle with or crowd the Canada geese.

Rafts of snow geese on shore by Aurora. The snow geese do not mingle with the Canada geese.

My search for an understanding of what they need or want to communicate about all night long  has led me on a wild chase into goose literature (the nights were way too cold and too dark for first-hand observation, and the geese sensing an interloper would have altered their talk). First, two points: (1) geese are perhaps second only to humans in their level of communicativeness, and (2) geese act purposefully, their vocalizations often indicating the purpose or concern at hand.  My exploration led me eventually to naturalist Bernd Heinrich’s book The Geese of Beaver Bog. He makes point #2 when talking about some unusual activity of Peep, the goose friend he observes in the book: “It is presumably not without reason. No goose behavior is.” This remark made me sure that the deafening nocturnal chatter of the Canada geese by the shores of Cayuga Lake in Aurora has a purpose.

Bernd Heinrich reports on his observations of Peep and Pop, a goose and gander who nested near one the beaver ponds near his house. A dramatic account, as he is often dashing around reporting on various unusual activities.

Bernd Heinrich reports on his observations of Peep and Pop, a goose and gander who nested at the edge of one of the beaver ponds near Heinrich’s house. A dramatic account, as he is often dashing around sharing in the hardships of Peep and Pop.

Canada Geese are said to have at least 13 kinds of vocalizations, though one source puts the number at several dozen.  Some of these can be heard on the Macaulay Library of biodiversity audio and video recordings, part of Cornell University’s Laboratory of Ornithology. Under calls, they list “various loud honks, barks, and cackles. Also some hisses.” Peep, Heinrich’s part tame/part wild goose friend allowed him to observe intimate details of her life with the completely wild gander Pop. He writes of one of her sounds, “She closed her eyes and made barely audible low grunting sounds when I walked up to her. If sounds have texture, these were velvet.” His book gives one an entirely new appreciation of the intelligence and deep heart of this species. A recent youtube video made in February 2015 makes me think of Peep and Pop. It captures some of the evocative and tender impressions that I gathered from Heinrich’s book.

A comprehensive survey of the life history of Canada geese (Branta canadensis) by State and Federal Licensed Waterfowl Rehabilitator Robin McClary  describes their strong social bonds. McClary writes that Canada geese are “loyal and emotional towards each other,” a clue to their frequent vocalizations. They mate for life (though Heinrich describes a “divorce” in The Geese of Beaver Bog) and congregate in family groups. If first-time parents are negligent towards their progeny, older, more experienced adults move them to foster care. Extended family groups congregate and stay together until the next mating season, with large family groups showing dominance over small ones. McClary writes that mating bonds are sometimes established on wintering sites (clue). McClary describes the considerable range and subtlety of their vocalizations:

“The gander has a slower, low-pitched “ahonk” while the goose’s voice is a much quicker and higher-pitched “hink” or “ka-ronk.” Mated pairs will greet each other by alternating their calls so rapidly that it seems like only one is talking. The typical “h-ronk” call is given only by males. Females give a higher-pitched and shorter “hrink” or “hrih”. Pitch also changes depending on the position of the neck, and the duration of the call varies depending on context. Dominant individuals are about 60 times more vocal than submissive flock mates. Canada geese calls range from the deep ka-lunk of the medium and large races to the high-pitched cackling voices of smaller races. Researchers have determined that Canada Geese have about 13 different calls ranging from loud greeting and alarm calls to the low clucks and murmurs of feeding geese. A careful ear and loyal observer will be able to put each voice to the honking goose/geese.

Goslings begin communicating with their parents while still in the egg. Their calls are limited to greeting “peeps,” distress calls, and high-pitched trills signaling contentment. Goslings respond in different ways to different adult calls, indicating that the adults use a variety of calls with a range of meanings to communicate with their young. The goslings have a wheezy soft call that may be either in distinct parts – “wheep-wheep-wheep” – or a drawn out whinny – “wheee-oow”. Just as in adolescent people, when the voice changes as the goose matures, it will often “crack” and sounds like a cross between a honk and a wheeze. This will be noticeable when the goslings are becoming fully feathered and starting to use body movements to communicate. When a flock gets ready to take off and fly away, they will usually all honk at the same time. The female makes the first honk, to indicate it is time to go, while the rest of the flock will chime in all together. The female leads the flock away in flight.”

These descriptions were music to my ears as I realized how interesting a subject I had found through pursuing a naturalist’s query. My sojourn by the shores of noisy Cayuga Lake over, I feared opportunities for first-hand observation were over as well. However, I soon happened to find myself among the Canada geese again at my son’s college golf tournament in Hellertown, Pennsylvania. While having my morning coffee at a Panera in a busy intersection in Bethlehem, PA, I noticed a set of framed photos  to the left of the cash register featuring Canada geese.

Photos of Canada geese at Panera in Bethlehem, PA.

Photos of Canada geese at Panera in Bethlehem, PA.

I took a close up of their photo of goslings protected under feathers of mother goose.

Goslings nesting in mother goose's feathers.

Goslings nesting in and under mother goose’s feathers. (Photo courtesy of Panera.)

Then I looked outside the window and saw a goose or gander in the median strip of the busy intersection.

Goose or gander in narrow strip of turf near busy intersection. Note bright white chin strap.

Goose or gander in narrow strip of turf near busy intersection. Note bright white chin strap.

I did some further investigations (it was a very hard area to drive in, so the geese have quite an advantage in flying), and found a small conservation area (a small swampy stream) across the highway from the Panera, where  a family group browsed. Parking was not easy, so I observed from the car window. Also, I didn’t want to disturb them. If they had mastered this busy environment, they didn’t need a stranger upsetting their routine. They are wary birds, very attuned to human behavior.

On to the golf course I went, where, happily, I found that Canada geese were plentiful at the various ponds and other water hazards.

Canada geese at Silver Creek Golf Course, Hellertown, PA.

Canada geese at Silver Creek Golf Course, Hellertown, PA.

By now I had learned enough about Canada geese to be respectful and a somewhat savvy observer. I did not try to get close enough to take better photos, and I avoided disturbing their feeding. All the geese I encountered had paired off, with the gander acting as lookout for the goose, so she could browse undisturbed. The pairs remained silent for the most part, rarely a honk or hiss. Things are relatively serene now, as nesting has not yet occurred, and the geese seem to know  that golfers startle easily and need quiet surroundings. I enjoyed watching the pairs and noting how their behavior was  like that of Peep and Pop, as described by Heinrich in The Geese of Beaver Bog.

One of the sources I consulted for this piece. This is  part II, of one of the 20 volumes in the magisterial work on North American birds by Arthur Cleveland Bent.  Bent's account reports a lot of Audbon's beautiful writing on Canada geese.

One of the sources I consulted for this piece. This is part II, of one of the 20 volumes in the magisterial work on North American birds by Arthur Cleveland Bent, who quotes freely from John James Audubon’s spirited writing on Canada geese.

I have done a lot more research than I can report on here, but clues abound in answer to why the Canada geese talk through the night in their midwintering grounds at Aurora, NY. Yes, it could definitely be bedroom talk as my husband suggested. McClary mentioned that the choice of mate for first-time maters often occurs in midwinter.  Also, it could be that family groups become separated during feeding at the cornfields during the day and just need to sort themselves out at night, with the larger family groups jostling for space over the smaller family groups. And, as McClary noted, dominant individuals talk 60% more than less dominant individuals, so the gathering off the dock may have been full of dominant individuals. Maybe they were complaining over the ice floes, the cold, the state of the cornfields. Maybe….

The last night that we stayed in Aurora, I placed  ear plugs by my bed, but did not use them. I couldn’t do it. I wanted to listen and imagine even if I could not understand.

(I have posted on youtube a video recording, courtesy of David Fernandez [husband], of the vocalizing Canada geese. Quadruple the volume and you will have some sense of the “great cacophony.”)